EASTN-DC tour

O’ CULTO DA AJUDA – CHAPEL/CATHEDRAL OF ART In 2014, this space appears, and is called O’Culto da Ajuda. O’ Culto because it seems “hidden” in an old Travessa -Travessa las Zebras, adjacent to Calçada da Ajuda and neighboring the Presidency of the Rep...

A Laugh To Cry by Miguel Azguime I’is an intertwined relationship between text, music, acting and social activism; in a contemporary new opera (new op-era) form to express the insane reality of the world we are facing. It’s a glaring strength in the present, a cry of freedom against tyranny, ...

CONTOS CONTADOS COM SOM-ELEctroacoustic theatre was performed in collaboration with the Portuguese Ministry of Education and the National Pan for the Arts and was streamed live to all Portuguese Scholls, inclusive for Portuguese schools in Africa, for children between 6 and 10 years old in the...

Active participation in the creation process with the tools of ACROE. As part of the European network EASTN-DC European Art-Science-Technology Network for Digital Creativity

The Música Viva Festival is an integrated initiative of Miso Music Portugal to promote and disseminate contemporary musical creation, especially dedicated to Portuguese composers and performers and the relationship between music and technology.

Active participation in the creation process with the tools of ACROE. As part of the European network EASTN-DC European Art-Science-Technology Network for Digital Creativity

The “inSonic” Festival will explore the new formats and artistic practices, including but not limited to the use of disruptive technologies, like “Machine Learning” or concepts such as “Extended Reality”, whose development gives rise to the shifts, transitio...

From 24 to 28 August 2020 at several locations around Ljubljana, the international festival of art, science and technology Is it working? will present the latest productions of Ljudmila Art and Science Laboratory and its partner institutions within the European Art Science Technology Network f...

For a long time I have tried to promote in my work a state of “integration” between the semantic and the phonetic – music as text and text as music, perhaps because of the multiple craft that characterizes my artistic activity, divided between the performer, the performer, the composer a...